What comes to our mind first when we hear the name of the legendary writer, R.K. Narayan? Yes, it will be an unequivocal answer always and forever: Malgudi. There was a time for the kids of 90’s like me who used to wait anxiously and endearingly for the screening of Malgudi Days serial in Doordarshan channel. Each episode would leave an imprint of our Indian culture and ethos and one would badly and madly fall for the simple and subtle life stories revolving in, around and within this fictional town located somewhere in South India. I could not resist myself from waiting for the upcoming episodes of the rustic simplicity and enduring images they carve on my emotional smithy. The very name of Rasipuram Krishnaswami Ayyar Narayanaswami is always a symbol of modest writing style for me. “No one ever accepts criticism so cheerfully. Neither the man who utters it nor the man who invites it really means it.” This frank and brutally honest adage of R.K. Narayan allures me to his readable style endowed with his fertility of imagination suffused in the sheer verities of ordinary life.
R.K.
Narayan, the first Indian English writer to bag the Sahitya Akademi Award has
made the Indian social cultural fabric familiar to the foreigners via his
creative outpourings. He made India accessible to the people in alien shores by
offering a window of vision to peep into the Indian sensibilities. The trio of Indian English Literature namely,
Mulk Raj Anand, R.K. Narayan and Raja Rao played a pivotal role in placing
India as well as Indian English Literature to the World map of English
Literature. His remarkable contribution to the ‘Indianisation of English
Literature’ is explicit in his creation of his fictional South Indian town of
Malgudi. Like William Faulkner’s ‘Yoknapatawpha’, Thomas Hardy’s ‘Wessex’ and
Thakazhi Sivasankara Pillai’s ‘Kuttanad’, he is widely known as the creator of
India’s most loveable town of Malgudi, where majority of his stories were set.
He won numerous accolades for his literary oeuvre comprising Padma Bhushan, AC Benson Medal by the British Royal
Society of Literature and Padma Vibhushan.
According to Prof. G.J.V. Prasad, “R.K. Narayan is the
village gossip, your friendly uncle who always knows something or the other
about everybody and, even better, tells a story in such a way that you can visualize
every detail, that you recognize every character, that you hear the voices,
even as you laugh at the storyteller’s comic vision. His humour does not
distort reality; his irony does not lessen the truth value of his works.” This
really exemplifies the grandeur of R.K. Narayan’s lucid and clear-cut writing
style. I came across R.K. Narayan’s short story titled “Out of Business” quite
accidentally and incidentally. This story is taken from his Malgudi Collection and his self-effacing
narrative made me finish it with no time. Reading a short story like “Out of
Business” stirred myriad of queries and thoughts in me. I was able to strike
some chords with the contemporary scenario of lockdown and how it has created a
terrible impact on the economic lives of multitudes.
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